KERA Arts Story Search



Looking for events? Click here for the Go See DFW events calendar.

Art&Seek on Think TV: Gene Scheer on Adapting Moby-Dick


by Jerome Weeks 23 Apr 2010 7:33 AM

Captain Ahab is certainly operatic in his inner turmoil and catastrophic ambitions. But what else about ‘Moby-Dick’ would strike a librettist, ‘Hey, that scene cries out for a great aria for soprano?’ We talk to Gene Scheer, the librettist of ‘Moby-Dick,’ about how novels may be better for adapting into operas than plays are and humanizing a madman. The Dallas Opera opens its world premiere of ‘Moby-Dick’ next week.

CTA TBD

[flashvideo filename=rtmp://kera-flash.streamguys.us:80/jwplayer&id=video/artandseek/2010/100423_think_411_artandseek width=470 height=263 displayheight=263 image=wp-content/uploads/2010/04/think411.jpg /]
The obvious question is, Why would anyone adapt Herman Melville’s novel, Moby-Dick, into an opera? The prospect is positively Ahab-ian in its mad ambition.

And don’t tell us, “Well, it’s a great story.” Lots of great stories don’t make great (or even good) operas. And they’re not 470 pages long and feature entire chapters devoted to “Cetology,” “The Whiteness of the Whale,”  “Of the Monstrous Pictures of Whale” and other musical jewels.

True, the demonically driven Captain Ahab is a natural for an operatic character — he’s already Lear-like and Shakespearean, and Verdi, for one, had a habit of adapting those Shakespeare tragedies with larger-than-life protagonists into little musical shows you may have heard of (Macbeth, Otello). But other than Ahab, what, specifically, just sings out “opera” when you think of the Great White Whale? (And we don’t mean this guy.)

Gene Scheer’s work as a librettist is familiar to Dallas music lovers. His opera, Therese Raquin, received its world premiere from the Dallas Opera in 2001. It has since been performed in Montreal and London. His opera, An American Tragedy, debuted at the Metropolitan in New York.

And, of course, Moby-Dick has its world premiere next week from the DO at the Winspear Opera House.

SHARE