Steven Foutch’s solo exhibition, Hemming and Hexing, explores a vague psychological space through narrative suggestion and the technical language of printmaking. The work is an exploration of mental clarity and cloudiness through landscape. Imagery is intended to evoke a discussion of terrestrial vs celestial vs psychological space. From where do mental objects arise and what if any narrative purpose do they contain.
The presentation and framing devices are a more considered, sculptural vehicle for works on paper. In addition to questioning the boundaries between presentation and art object, the display method hopes to push the ephemeral towards the sacred.
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