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Howard Sherman: Shifting Fancy of the Crowd:


Circuit 12 Contemporary

Howard Sherman received his Masters of Fine Arts in Painting and Drawing from the University of North Texas in 2006. During his tenure at UNT, Sherman was fortunate enough to work with esteemed professor Vernon Fisher before Fisher’s retirement. It was during this time that the artist discovered and defined a visual language that has continued to evolve.

Sherman has been leading a new generation of bombastic contemporary painters in the Texas art world. His typically human-scale canvases carry traces of his background in cartooning, offsetting the loud, raw power of his aggressive paint strokes with a playful sense of humor. In contrast, the artist’s smaller works on paper reveal his intuitive use of material in a distilled, yet still assertive manner.

The large paintings facilitate the immense physicality within Sherman’s work, while leaving space for his keen sense of formal resolution. The frenetic and muscular heft of his work is balanced with a measured precision and a thoughtful integration of a number of historical art history influences. Sherman’s cartoonish figuration complements his bold use of abstract mark making which can be construed as portraits, punch lines or poems. He is constantly refining his visual and conceptual vocabulary, recently experimenting with sculptural surfaces and collage

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