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Bookwriters and Bookstores and Book Publishers in North Texas: 2015
by Jerome Weeks 17 Dec 2015
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Ted Gioia from tedgioia.com

One of the most interesting books to come from a North Texas author this past year was a history of love songs. That’s not the only noteworthy event, though. Justin Martin sat down with Art & Seek’s Jerome Weeks to consider what’s been happening with North Texas publishing, authors and bookstores.

You said you wanted to start this chat about the North Texas literature scene by playing a song excerpt. Why?


JWBecause of Ted Gioia’s book that came out this year, ‘Love Songs: A Hidden History.’  I wanted to play a cut from ‘Mambo Sun’ by Marc Bolan. I hadn’t heard that song in years until it was on the radio the other day — on our sister station, KXT. Now Bolan put out great, naughty, druggy glam rock numbers in the ‘70s, but that’s still — a love song, In fact, it suddenly struck me how many of Bolan’s songs were actually love songs even his best-known hit, ‘Bang a Gong/Get It On.’ Anyone who’s heard it remembers how lascivious Bolan sounds, but the lyrics actually contain the lines, “Clad in black / Don’t look back / And I love you.’

That’s not that big a surprise. Love songs are pretty common

JWOh, they’re the common cold of popular culture. For one thing, they can be pretty infectious — and yes, they can express the same small range of sentiment over and over again. Gioia’s book starts with their origins more than 2000 years ago; he says the love song is as old as human history. His book, ‘Love Songs,’ was well reviewed when it came out, but I don’t think it’s gotten the public attention it deserves.

Why?

JWBecause of the title, the subject matter. Many people – me included – see that title and we just roll our eyes. This has got to be a sentimental wallow, you know, a critic trotting out a nostalgic list of old faves. But Gioia actually argues for a radical re-thinking of love songs. Gioia’s a music historian and jazz critic, he lives in North Texas. And he shows how down through the years, songs about romantic longing or loss often came from cultural or political outsiders, the downtrodden, the marginalized.

I mean, just think about how much black American music – blues, jazz, r&b – how much it’s expanded the love song just in the past century. Well, that kind of thing, Gioia tracks that happening to love songs, over and over again throughout history.

I do have some arguments with his conclusions about current and recent pop music. For instance, he believes that punk and New Wave had an almost Puritanical disgust towards love and romance and even sex (“No time for dancing, or lovey dovey,” David Byrne sang in ‘Life During Wartime,’ “I don’t got time for that now”). A valid point — except that I’d argue in many cases, the songwriters are trashing the traditional restraints and expectations of the love song itself; their beef wasn’t with love in general.

One piece of evidence: In the midst of the New Wave period in the early-to-mid-’80s, various high-style British groups were labeled part of a movement and fashion fad called ‘the New Romantics’: Spandau Ballet (“Don’t You Want Me”), ABC (“The Look of Love“), Human League, Duran Duran, Adam and the Ants — they’re only some of the most popular imported songs and  acts of the ’80s. The artists may have been thoroughly cynical about the pop marketplace, some had produced earlier, more aggressively experimental works. And quite a few come across as just weak Bryan Ferry clones. But any jadedness was mostly in their live acts and personal lives. The songs themselves (and often their accompanying videos) clearly play on old tropes of the lovelorn crooner and the world-weary matinee idol.

So snogging, as the Brits would say, was still well-represented in their New Wave music.

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Novelist Merritt Tierce from merrittierce.com

What’s more, as Gioia himself chronicles, the ‘lover’s complaint’ has long been a sub-genre, a form of recrimination and romantic expression, within the wider genre of the love song. In this vein, Elvis Costello’s ‘Watching the Detectives’ is essentially a bitter love song — expressed with a little more gunplay/wordplay than most ( “You think you’re alone until you realize you’re in it / Now fear is here to stay. Love is here for a visit. … Though it nearly took a miracle to get you to stay / It only took my little fingers to blow you away”). Yet violent longing, the cruel lover, have been mainstays of torch songs and romantic ballads for generations.

But those are only a handful of objections that came very late in the book. You read Gioia’s history, and you won’t listen to love songs the same way again.

And trust me, you will be hearing love songs again.

So I’m curious what else did you think was worthy of mention in books this year?

JWLet’s stick with love a little bit. ‘Love Me Back’ is Merritt Tierce’s scalding novel about a young waitress at a hotshot Dallas steakhouse. It was released last year but came out in paperback this year. So it hit a wider audience. It’s a deadpan, brutally honest, sexually explicit novel and it got rave reviews, deservedly so. For some of us, it was exciting for a different reason. You add Merritt Tierce to Ben Fountain – he’s the author of ‘Billy Lynn’s Long Halftime Walk’ – and North Texas has some top-notch writing talent (now that Larry McMurtry is spending most of his time in Arizona). And we’re likely to have it for some time — remember, both of these are still just the author’s first novels.

Speaking of ‘Billy Lynn,’ I hear there was news on that front as well.

JWMovie director Ang Lee – the guy behind ‘Brokeback Mountain’ – he’s finished shooting the film version, although he shot it in Georgia. It’s currently scheduled for release next November. For my money, ‘Billy Lynn’ is the best novel ever written about Dallas — it won the National Book Critics Circle Award for a reason. But the cast. I mean, Kirsten Stewart from the ‘Twilight’ Saga, Steve Martin and Vin Diesel? I don’t know if that’s something to dread or something to look forward to.

We seem to have strayed into ‘Entertainment Tonight.’

JWWell, yeah, but I’d argue that an area’s literary culture is a lot more than just what’s in print.
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The UK edition of ‘Billy Lynn.’

Like what?

JWLike the fact that two bookstore/coffeehouses – the Wild Detectives in Oak Cliff and Serj Books near the St. Paul DART station in downtown Dallas – they’re both still open after starting up last year. Or like the success of Deep Vellum Publishing. That’s the tiny nonprofit Will Evans started a year ago. He publishes nothing but English translations of foreign novels. Yet in that year, Evans has already had two releases nominated for a national translation prize from PEN. And two other releases nominated for foreign prizes. Evans and Deep Vellum are getting international notice.

And he’s about to open a bookstore in Deep Ellum.

JWYeah, that too. Now, foreign translations and three little bookstores: These are small deals in the bigger picture of publishing and author workshops and reading series and graduate writing programs. But throw all this together, and you’ve got real literary-type things happening here.

Image of books outfront: Shutterstock

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