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The Big Screen: Examining ‘To the Wonder and ‘Upstream Color’
by Stephen Becker 19 Apr 2013

This week, we talk about a pair of movies with no use for the conventional narrative structure: Terrence Malick’s To the Wonder and Shane Carruth’s Upstream Color. Luckily, Carruth joins us to help us make sense of everything.

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This week, Art&Seek’s Stephen Becker and Dallas Morning News movie critic Chris Vognar talk about a pair of movies that have no use for the conventional narrative structure: Terrence Malick’s To the Wonder and Shane Carruth’s Upstream Color. Luckily, Carruth joins us to help us make sense of everything. Be sure to subscribe to The Big Screen podcast on iTunes. Stream this week’s podcast below or download it.


For a shortened version of our To the Wonder review:

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