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This Week in Texas Music History: Roger Miller


by Stephen Becker 21 Oct 2011

This Week in Texas Music History, we’ll look at an accomplished songwriter who is probably best remembered for his more humorous compositions.

CTA TBD

Art&Seek presents This Week in Texas Music History. Every week, we’ll spotlight a different moment and the musician who made it. This week, Texas music scholar Gary Hartman discusses an accomplished songwriter who is probably best remembered for his more humorous compositions.

You can also hear This Week in Texas Music History on Sunday at precisely 6:04 p.m. on KERA radio. But subscribe to the podcast so you won’t miss an episode. And our thanks to KUT public radio in Austin for helping us bring this segment to you. And if you’re a music lover, be sure to check out Track by Track, the bi-weekly podcast from Paul Slavens, host of KXT’s The Paul Slavens Show, heard Sunday night’s at 8.

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Roger Miller died on Oct. 25, 1992, but he left behind an unparalleled legacy as an award-winning songwriter. Miller was born in Fort Worth on Jan. 2, 1936. By the early 1960s, he was living in Nashville, where he backed such popular singers as Ray Price and Minnie Pearl. Miller also began attracting attention as a serious songwriter, penning such honky tonk classics as “Invitation to the Blues” and “When Two Worlds Collide.” He gained international fame during the mid-1960s for a string of humorous novelty songs, including “Chug-a-Lug,” Dang Me” and “You Can’t Roller Skate in a Buffalo Herd.” His single biggest hit came in 1965 with “King of the Road,” a light-hearted tale about a restless but resourceful hobo. Roger Miller won 11 Grammys for his songwriting, along with five Tony Awards for the musical score to Big River, a hit Broadway play based on Mark Twain’s Huckleberry Finn.

Next time on This Week in Texas Music History, we’ll celebrate a woman who wrote the state’s first known English-language song.

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